women of a certain age are like sunflowers; they know how to turn their faces to the sun.

Sunday, June 20, 2010

Singing for my Father

"To a father growing old nothing is dearer than a daughter."

-Euripides

Today is Father's Day and I am recycling a post that speaks to my love of family and the sanctity of memories. My love of Leland is undeniably tied up in my love for my family -my brothers and sisters, my step mother, my grandparents, my children, and all who have summered at the lake.

But more than anything, it is my love for my father that draws me northward. He loves Leland with the same fierce passion I do and he is so much a part of it and me that I do not know how I will bear his absence when that sad day comes.

When I was young, my family sang everywhere, my Dad's booming bass carrying us all with him as we musically explored blue moons and harvest moons, sang the praises of sweet Adeline and Amazing Grace, and kept an eagle eye out for what was comin' round the mountain.

We sang in the car on the way home. We sang at picnics and cookouts. And, most poignantly, we sang (and continue to sing) together at the Sunday night community sings in Leland Michigan. I so look forward to attending those every Sunday night I am home in Michigan. It is something my Dad and I share in a very special way and I treasure every minute I can twine my alto around the bass line of his harmonies.

A few years back I wrote an essay about the Sing. I would like to repeat it here today in tribute to fathers everywhere who daily pass on their wisdom and love to countless generations, but most especially in honor of my Dad, who had so much to do with who I have grown to be. I love you Dad! This one's for you.


PROFOUND PRAYER

This is a love letter. It is sentimental; it is passionate; it is true. It admits no flaws (or overlooks them), it is infatuated with the beloved in all its beauty and grace, and seeks only to sit a while, reveal its wonders, and revel in its presence.

There is a place I know where time stands still, where the north wind breathes softly across the lake, and the summer never ends. It is a magical place, an enchanted peninsula, a small spit of land surrounded by water and riddled with freshwater lakes so pure and innocent that you can see clear to the bottom of their soul.

Lake Michigan whispers in the foggy dawn and sparkles in the sun at midday, when the children run shrieking with the shock of cold water on their legs. The span of beach goes on for miles, broken only by chalky bluffs and towering dunes. The white sand sifts between your toes and cradles your arches – warm and soft as the inside of a cat’s ear, as the downy head of a newborn babe, as a kind word on an angry day.

It is a place of gently rolling hills, stretching their way to the horizon or the lake - whichever comes first. It is a land of cherry orchards, ablaze with budding May promise, heavy in summer with the fruitfulness born of hard labor. Some years the land is harsh and farmers’ children go hungry to bed, praying to God for the cool days and abundant rain that make Daddy smile. But always the land is there; the land is eternal; the land is everything.

This is a place where God is found in every crooked twig and every rocky shore, every call of the great horned owl and every pulse of the land. This is a place where deer graze, and stars blaze, and children still run to catch fireflies in mayonnaise jars while their elders sit on the porch sipping something tall and cool, catching up on all the family gossip.

It is a place where parents sing their children to sleep beneath sighing pines, with the same songs their grandparents sang to them so many lifetimes ago. It is place that many visit, but few call home. It is a place where the greatest treasures to be found are not gold or silver, nor even bluestone or seagull feather. The greatest treasures of this realm lie deep within the human heart – love, peace, joy, family, and remembrance.

This is as close as I shall come to Eden during my lifetime. This is the place my parents and their parents before them bequeathed to me. This is where my grandparents rest and where my father makes his home. This is the place my children grew up. This is the place where I will grow old. This is the land my heart calls home.

It is 7:45 on a warm July evening. I sit in the old wooden clubhouse at the top of the hill. The golf course spreads out before me in the waning sunlight, golden in what my children call the “magic” hours. Every evening about 6:00, the wind drops, the lake calms, and the entire world takes on a warm glow, as if God had touched the world, put a finger to his lips and whispered “Hush.” These are the best times for water skiing (no waves), beach picnics (no wind), and long walks with your husband (no stress).

The room fills as the clock hands inch closer to 8:00. The “summer” people and the year round residents have come together for one of the most cherished traditions of the summer – the Sunday Night Sing. Grandmothers and older gentlemen get the seats nearest the open doors, along with those who have babies in tow. The elderly seek the fresh air that blows through the French doors; the new parents value the quick exit they provide in case of newborn meltdown.

The Sing is one of the only places I know where a voluntary dress code is still in current practice. I see young mothers decked out in Lily Pulitzer sundresses and strappy sandals, their blonde hair smooth and gleaming like a Clairol magazine ad. They chat with their friends about things like play dates, sandcastles, and tennis games. Men stop to visit, kibbutz, discuss how long they are staying this time before returning to the daily grind of the real world, and exchange golf scores, business tips, and fish stories.

Children walk quietly (at least while Mom and Dad are watching) to take their rightful spaces down front, where they can get in on all the action. Their hair is combed; their clothes are clean. The boys wear polo shirts and the girls wear patent leather Mary Janes. All wear innocence, and the suntanned glow of long summer days spent in the country, on the water. I have always maintained and here declare it officially: there are no kids anywhere on earth more attractive than the kids at the Sunday Night Sing.

Of course, every rule has an exception. The teen contingent shows little regard for the conventions of their elders. They wear tank tops and shorts, baggy sweatshirts and jeans. They line the scarred tables at the back of the hall, sitting with their backs against the wall, swinging their legs in rhythm, sharing secrets, smiling, flirting, out from under the watchful eye of their parents for an hour. As long as they are quiet, no one will turn around to check up on them. They perch on the tables like birds on a wire, waiting for the singing to start and their blessed hour of comparative privacy to commence.

It is eight o’clock. The piano plays and the strains of our national anthem float across the hall. As one, all stand; many place their hands over their heart, a few older gentlemen salute, and we begin to sing. The patriotic fervor that to so many in this cynical age seems laughable is everywhere in evidence here. These are good people, fortunate people, people who are glad to live in this country. And they are not ashamed of old ways. After all, the community sings have endured for almost 100 years.

We sing old songs - the ones our parents sang before us. We sing show tunes like Edelweiss and Oklahoma by Rodgers and Hammerstein, folk songs like Puff the Magic Dragon, and This Land is Your Land. For the children’s sake, we do Bingo, and The Three Little Fishies, and She’ll Be Comin’ Round the Mountain (with all the appropriate hand gestures). Everyone groans when someone requests Green Grow the Rushes (all twelve verses – sigh!) but all seem to enjoy Capitol Ship with its nonsensical lyrics and Waltzing Matilda with its liberal use of Australian slang.

Looking out the windows, I see a few lone boys – solitary escapees from their mother’s scrutiny - let go, no doubt, due to their incessant squirming and nonstop chatter. They chase each other back and forth across the putting green and play with the golf ball washers as my brother and I did once upon a long ago time.

So little has changed since we were children. No one stands up when we sing Dixie anymore – all the rebels have gone to meet their maker – and the songbooks have been rebound, thanks to someone’s generous gift. But the voices still rise in the still summer air, undisturbed by the sound of air-conditioning. The children still laugh and play; the parents still sing with gusto, helping the younger crowd to learn the words; the grandparents still knit and visit, and look out in peace upon the place and the people they love. The generations have turned, but the memories and traditions remain.

As we approach the end of the hour, the mood mellows and deepens as we sing lullabies - Sweet and Low and All Through the Night, which has a special hold on my heart; it is what I sang my children to sleep with when they were very young. We follow up with the old songs of grace and faith – Jacob’s Ladder, All Night, All Day, and The Little Brown Church in the Vale.

When I sing the words, “No spot is so dear to my childhood as the little brown church in the vale,” I remember my mother, dead these last eight years, sitting contentedly beside me, long before the cruel reality of divorce and alcoholism took her youth; and my grandmother, her voice strong and clear, belying her age and girth, singing the low descant, “Oh come, come, come, . . “

It’s that kind of a place. The kind of place where I meet my ancestors and my childhood at every turn of the path, and imagine the future - when my children will bring their families to the lake - every time I wish upon a star. In these days of transient populations and MTV induced attention spans, there is something holy about a place where you have put down roots - a place where your children play with the offspring of your childhood friends - a place where I am still known by my maiden name, where I am still the carefree girl with skinned knees and sneakers full of sand. A place where I am most me.

As we launch into The Leelanau Song, written expressly for the Sunday Night Sing so many years ago and still sung every week without fail, I remember the summer my grandmother wouldn’t let me go home until I had memorized all the words to three verses and a chorus. I remember her teaching me to swim on sunny days and how to knit and play a mean hand of gin rummy on rainy ones. I remember her smile, and her lap, and her love.

She and my grandfather first came to this place in the ‘30’s. I have come every summer of my life save one - in college, when I was unable to get any time off from my summer job. They found the land, and built the house, and brought my father and my Aunt Kathy here so many summers ago. My grandmother planted the gardens, full of hollyhocks, phlox, and old-fashioned lilacs; ripe red raspberries and little green apples, sour and hard. My grandfather blazed trails through the woods that my father still maintains for new generations of aspiring young woodsmen to follow. Did they know what they were starting? Do they know how much I love this land? And how much a part of it all – how much a part of me - they still are?

We close the Sing with Now the Day is Over. My father leans into me, puts his arm around my shoulders, and as my voice rises in harmony with his, the past blends seamlessly into the future. I cherish the deep feeling of peace that comes over my heart and over the land, as the sun slips silently behind North Manitou Island and into Lake Michigan.

My father and I share the same wish – when we sleep at last beneath this land of pines and dunes and brilliant blue skies, we want to be sung to our rest with this song. It is a song about endings and beginnings, death and resurrection, founders and settlers gone to ground and new generations carrying on. It sings of renewal and rebirth and restoration. It sings of hope and mercy, love and life. It is a song of God’s grace, a fitting end to a day spent in a place of such beauty and blessing – a fitting end to a life spent in service of the good, the beautiful, the rare. It is profound prayer.


Now the day is over. Night is drawing nigh.
Shadows of the Evening steal across the sky.

Jesus give the weary rest and sweet repose.
With thy tenderest blessings, may my eyelids close.

When the morning wakens, then may I arise
Pure and fresh and sinless in Thy holy eyes.

Susan Pandorf 2003

Wednesday, June 16, 2010

Evenstar Revealed

êl síla Ai! Aníron Undómiel
I 'lîr en êl luitha 'uren Ai! Aníron...
From darkness I understand the night: dreams flow, a star shines
Ah! I desire Evenstar
Look! A star rises out of the darkness.
The song of the star enchants my heart
Ah! I desire...

At last we have come to the end of the journey. No more guessing; no more wondering; no more pieces to the puzzle. All has been revealed at last.

I want to thank my moderators for all their hard work on the KAL, my family for allowing me the time and space necessary to undertake so large a task, my friends for encouraging me to expand my design capabilities...

Most of all, I want to thank all of you: my readers & knitters.

There have been a few bumps along the way (OY!), but without your dedication, generosity, and incredible talent & knowledge, this experience would have been much diminished for all of us.

I have never met a more amazing group of individuals, nor seen a more beautiful collection of finished objects. You are absolutely the best!

EVENSTAR SHAWL

THE FELLOWSHIP OF THE RING COLLECTION

a beaded lace creation from the needles of Susan Pandorf

MEASUREMENTS
60 inch diameter
MATERIALS
1500 yds. laceweight yarn
Sample knit with Blue Moon Fiber Arts Silk Thread 2, color: Winter Solstice
3000 size 8 seed beads
size 3 (US) needles or to obtain gauge
crochet hook for beading

Written & Charted Directions
Advanced Intermediate Level

Swatch Directions Included

A central medallion of Evenstar stitch is surrounded by a second ring of woodland leaves and mesh, inspired by the work of Herbert Niebling. The third ring of the pattern evokes images of the arched doorways & windows of Rivendell, before returning to the Evenstar motif, this time surrounded by a blooming flower and elongated as in the Evenstar necklace itself.



Upon completion of the main part of the shawl, directions are given for a beaded (optional) lace edging around the outside of the shawl.


This is a circular shawl. You begin at center and knit around in spiral fashion until you reach the outer edge. You are always knitting on the right side of the fabric, until you reach the final border.


Shawl uses PI configuration of doubling your stitches every so many rows, rather than increasing on each round. Increase rounds are between charts.


**************

So...

For better or for worse (and there has been plenty of both) here she is: complete at last!

May she bring her wearers justified pride in a job well done, the inherent joy to be found in all creative and generative activities, and hope for a future free from conflict and woe.

Blessings & happy knitting...always

Tuesday, June 15, 2010

Tomorrow

Tomorrow is often the busiest day of the week.

-Spanish Proverb

Just heard back from my proofreader; she got called away from the office to Dusseldorf.

She is done with the proofing and will get it back to me within 8 hrs, as soon as she returns to the office in London and her computer.

So Evenstar will be ready for public consumption tomorrow! YAY!

Thank you for your patience...

Monday, June 14, 2010

An Open letter to My Customers

As many if you know, there has been considerable debate and heated argument on Ravelry regarding issues about Evenstar and my business practices.

I posted the following on the Evenstar Boards this afternoon. I offer it here as well, in the spirit of openess & fairness.

The "drama" has gone on long enough. In fact it has gone on far too long.

I will admit to not having read every post in all threads. After repeated attempts to address the grievances of disappointed knitters in a businesslike fashion, I have come to the conclusion that nothing I can say or do will satisfy, short of taking down my shingle and quitting the business. Replying to repeated complaints over and over, when nothing new is added to the mix is a waste of both my time and yours.

At some point you have to agree to disagree and leave the table.

Do I knit halves on projects that are identical on both ends and joined at the center? Yes, I do. I have made no secret of that fact. If you visit my projects page, you will see honesty about what is finished and what is not.

I like my ends to be symmetrical so my designs often feature a join. I don't mind the graft/3 needle bind off. Now that I know this is an issue for some people, I have updated all of my pattern pages to display this information. Whenever possible, I try to offer other options for those who do not like this method of construction.

Was I honest about the fact that I was knitting along with you on Evenstar? It is clearly stated right at the top of the announcement thread and in my blog. The whole reason this KAL came into existence was the desire expressed by people who did not want to wait until June to knit this pattern.

Do I usually publish something I have not knitted or tested or done before (as in the case of grafting or doing a 3 needle bind off)? No. If I am doing something different for the join, as in Dwarrowdelf & Mehndi, I work it out and complete the center portion as well.

The only exception to this rule is my free patterns. Until Legolas, they were simple enough not to need testing. I have been honest about the Legolas pattern problems and deeply regret putting an untested product on the market. I am doing everything within my power to correct my unfortunate oversight and learn from my mistake.

Do I test knit? Yes I do. But until Evenstar, all my test knitters were chart people. Most of my patterns were charted only, prior to Evenstar. You will see most errata were in written directions, which I do not use. Since the second clue, I have added a second, written directions, test knitter.

Do they make mistakes? Sometimes. The greatest pitfall in knitting is doing what you know is right versus what is on the page. I ask them to do only what is there in writing, but that does not always happen; example: the wrong direction slants of the wrong side decreases, due to the software error in Goldberry. If they had done what was in the written directions, the scarf would have looked wrong and the error would have been caught.

Do I knit from the written directions? No. I find written directions incredibly hard to keep track of. Too many places to go wrong. I cannot get through a row, without messing it up. I am a visual person. I "see" the pattern,to the extent that anything uncharted from Barbara Walker's books gets charted immediately before I pick up a needle.

Am I bad at written directions? Yes, I am. This is why I am testing the Intwined Design software. While it does not catch every problem, it provides a framework from which to work. It does not however include repeats, parentheses, or asterisks; those must be added by hand. It has additional problems with the stitch library, from time to time.

Is it worth the trouble to provide written directions to charted designs? I have debated this question a lot over the past few months. Designs of this complexity rarely include written directions. I provided written directions for two reasons:

1) A lot of "written directions" knitters contacted me, requesting they be able to participate
2) I think the more often you compare a chart with written directions, the sooner you begin to understand, or "read" your lace.

The inclusion of written directions brings many into the knitting process who would otherwise be excluded.

Do my test knitters knit the entire pattern? Not always. It depends on the construction of the individual piece. For example, they each knit the center panel of Dwarrowdelf and one repeat of one side, plus the border design. In other words they worked through all the directions without doing all the repeats. Then they ripped back and will complete at their leisure, with my thanks.

Do I use a proofreader/tech editor? I never have until this project, but added one after the second clue, when it was suggested to me. Is she perfect? No. Are there better people out there? Probably, but this person has experience and is volunteering her services, for which I am eternally grateful.

Are there errata? Absolutely! Are they due to my business practices? Absolutely not.

Do I miss deadlines? Sometimes. We all have lives and other commitments; most of us have other jobs. Sometimes it is due to a misjudgment on my part; sometimes a pattern gets stuck in the pipeline due to circumstances beyond my control.

Do I read every post in every forum? No, I don't. I did when we started out, but the sheer volume of the posts became too much to manage. That is why we have four moderators. If I read every post of every thread of every group that has anything to do with Sunflower Designs, I would spend all my time on line and have no time to produce anything else.

Do I care about my knitters? Yes, I do. In an ideal world, everyone who knits one of my patterns would clearly understand all directions, never have to frog anything, and pick the ideal yarn for every project. I do not ask for, promote, nor want any "drama." I want happy knitting always and feel very bad when something I have done causes difficulties.

When people do have a problem I try, within reason, to address those issues fairly and in a timely fashion. If someone else has offered a solution before I get to it, I thank them for that, and am glad the person helped out. I do not always respond, because I feel someone else has provided the answer already and people would prefer not to wade through two replies saying essentially the same thing.

Do I have "fangirls"? I think this is a demeaning appellation for those who express affection for someone or something. People should be free to like or dislike whomever and whatever they please. Those who dislike me and/or my patterns are not "crazy" or anything else demeaning. They are merely unhappy customers. Likewise those who enjoy my company and/or my patterns. They are not "fangirls", but happy customers and friends.

Do I manufacture drama? No. I hate this. It is antithetical to everything I believe in and stand for. I believe people are basically good. I believe that love is what we are here for. I think we should be helping, not harming each other.

Am I sorry for all this? You have no idea how much.

This needs to end & it needs to end now. I will issue refunds to any who have a legitimate gripe about the pattern, not the yarn, or the care & feeding of the KAL, or my past actions & words, or those of others.

I am sorry. I am human. I have had enough. As have we all.

In the effort to turn this negative experience into something positive, I have decided to make an additional donation to Knitter's Without Borders: one dollar for every post about these issues. Good cause, good karma...

I am locking this thread and the positive experiences thread and will be deleting all future comments that talk about other people (no matter whether they are happy or unhappy with the experience), rather than the knitting of the pattern. I will instruct my moderators to do likewise. Those who do not abide by these rules will be asked to leave.

Thank you for your time spent reading this. I ask that no comments be left so that no one can take offense in any way. Those who wish to speak further may contact me directly by email at susanpandorf@comcast.net

Friday, June 11, 2010

Evenstar Update

Heard from my proofreader this morning. She had a work-related crisis yesterday, which kept her at the office late, so she did not get a chance to proof last night.

So, no complete Evenstar today, but hopefully over the weekend. Thanks for your patience.

Thursday, June 10, 2010

Legolas Errata

LEGOLAS ERRATA

IF YOUR PATTERN SAYS LEGOLAS 5, THESE CHANGES HAVE ALREADY BEEN MADE

stitch count at beginning of clue 5 should be 14, not 13

new charts & written directions for chart 3 & 4 as follows:

Chart3 (worked over first 8 st)

Row 1 (RS): k1, yo, k4, k2tog, yo, k1, turn & work back
Row 2 (WS): k1, p6, pfb, k1
Row 3 (RS): k1, yo, k6, k2tog, yo, k1, turn & work back
Row 4 (WS): k1, p8, pfb, k1
Row 5 (RS): k1, yo, k8, k2tog, yo, k1, turn & work back
Row 6 (WS): k1, p10, pfb, k1 (14 st)

Chart4 (worked over last 7 st)
Row 1 (RS): k1, yo, k3, k2tog, yo, k1
Row 2 (WS): k1, p5, pfb, k1
Row 3 (RS): k1, yo, k5, k2tog, yo, k1
Row 4 (WS): k1, p7, pfb, k1
Row 5 (RS): k1, yo, k7, k2tog, yo, k1
Row 6 (WS): k1, p9, pfb, k1
Row 7 (RS): k1, yo, k9, k2tog, yo, k1
Row 8 (RS): k1, p12, k1 (14 st)

Sent everyone a new pattern that includes these chart and written direction changes

Friday, June 4, 2010

I'm a Slacker


Who ever is out of patience is out of possession of their soul.
- Francis Bacon

Thank you for the messages of support. They are wonderfully kind and dear to me.

I want to re-emphasize that the problem is not one of unhappy customers. Unhappy customers are part of business.

It is not a matter of self-image. I may have experienced a very dark day of the soul, but it was largely due to a chemical imbalance and a pharmacy mistake, rather than crippling self doubt.

And the problem is not a crisis of confidence in my design capabilities. In fact, it is not connected with knitting in any way.

And that was sort of my point. Not everything is public. Not everything is on the surface. Not everything is spilled out on line.

It is easy to make "friends" these days. We can push a button and send a request. We can just as easily push another button and withdraw that friendship.

We forget how long it takes to truly know someone; to become the best of friends.

We think we know people because we have read their blog, or purchased their yarn, or chatted them up on Facebook or Ravelry.

But we don't. Not really.

I am not saying you cannot have an online relationship. I have met many wonderful people on line and some of them are you.

But I am often surprised when I finally see a picture or meet someone in person whom I have known on line. They are taller, shorter, fatter, thinner, younger, older, louder, quieter, funnier, shyer, etc. etc. etc...

than I had pictured them in my imagination.

It is much like the casting process for a movie based upon a beloved book. We think, "OH NO! That person is totally wrong for the part."

We do not know the entirety of their existence. We do not know their hopes & dreams & fears. We do not know their families.

We do not know what is going on in people's private lives. Only their public ones.

And since that is the case, we need to cultivate patience. We need to plant it in our souls, water it with the milk of human kindness, and allow it to blossom in our collective communities.

We need to cut ourselves and each other a little slack.

Let's assume the other person is NOT an asshole.

Let's consider what we know versus what we are presuming, before we touch the keys of the laptop.

Let's try to work things out, before filing a complaint.

Let's really listen with our hearts to try and catch the subtext of what people are really feeling.

Let's give each other the benefit of the doubt.

Let's try to help one another.

Let's be slow to anger and fast to care.

Let's replace the culture of "me first" with the reality that we are all in this together.

Let's yield to and merge with oncoming human traffic, instead of pushing our way to the front of the line.

Let's slow down and step back and take a deep breath.

Let's reclaim civility and graciousness for our times.

Let's stop being mad as hell and not willing to take any more.

Lets put up our pitchforks and beat them into plowshares.

Let's create rather than destroy.

Let's be the blessed peacemakers, the other cheek turners, the good Samaritans.

Let's cut the car in front of us, the person alongside us, the child who follows us, some slack.

Let's be kind to one another.

Because we are all we've got.

Let's be slackers.


I have a new button on my sidebar. If this message resonates with you, you are welcome to snag it for your own.

Thanks for listening and God bless.

I'm a slacker.

How about you?

Wednesday, June 2, 2010

Not Fit for Public Consumption

I believe we are here for a reason. I believe God speaks both to and through us. I believe God uses whatever means possible to deliver grace.

So when the phrase, "not fit for public consumption" sticks in my noggin, I wonder what it means.

When a computer game screen says, "No more moves. Reshuffle to continue" I pay attention.

I have always been up front in this blog, on Ravelry, & on plurk about who I am, what I do, and where I am going.

I am a Quaker. I do not lie.

I am a mother. Sometimes I fail.

I have experienced deep depression. I fought back.

I am a writer. God gave it to me to use in his service.

I am deeply flawed as are we all.

Things are very difficult right now for reasons that I shall not go into here. My work is suffering. My family is suffering. My mental health is suffering.

Mistakes have been made. And I am reevaluating what I have chosen to do. Perhaps it is time to reshuffle to continue.

Depression is a black hole that swallows us up. So also, can be the court of public opinion.

I am struggling today with both, as I know others do as well. Perhaps my honesty will speak for us all here.

So this is what I have to give today:

We are not intended for public consumption. We have private lives. We have private pains.

We do not know whether the person that cut in front of us in traffic is distracted by the pain of an impending divorce.

We do not know if the woman who is too slowly making change in the check out lane is worried about a sick child.

We do not know if the person writing the pattern or dying the yarn just took the weekend off to drive her son to rehab.

We do not know if the post that raises our hackles on Ravelry is a product of meanness, a cry for help, or the ill considered hasty words of someone who is going through something completely unrelated.

We do not know. We cannot judge.

Whether we step up and help is our decision and ours alone, but one thing I do know.

None of us is fit for public consumption.

Tuesday, June 1, 2010

Dwarrowdelf Errata

Page 3 top line reads:

Upon completion of row 33, return to row 6 and repeat rows 6-33 twice more (3 reps total).

Should read:

Upon completion of row 33, return to row 6 and repeat rows 6-33 twice more (3 reps total). Now work rows 6 through 10 once more.